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A score for duo of piano and voice. The vocals are typed using the 𝄠 suboctave clef (the treble clef with the numeral 8 below it).
The track is transcribed in the original key, G Minor modulated into C Minor, and uses jazzy major and minor chords.
“Go Down, Moses” was sung with swinged rhythm in quadruple time that's why I notated it as 12/8. Accent strong beats. Notice fermata (𝄐). Hold the pause one measure.
Avoid learning both hands together in the very beginning; you will fail immediately and abandon the score.
Louis Armstrong's predominant articulation is tenuto non legato.
In slurred passages descending inflections are played diminuendo >.
Much of the song’s aesthetic value is generated through repetition.
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