Cello Sonata No. 1 in F Minor, Op. 45: I. Allegro commodo (mp3 & midi included!) - J.B. Foerster
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Vidéo perf.
Difficulté: Très diff.
16 Pages
Infos essentielles
- Instrument 2
- VioloncellePiano
- Pages
- 16
- Difficulté
- Très diff.
- Type
- 3 port.
- Instrumentation
- Ensemble
- Paroles
- Non inclus
- Accord
- Non inclus
$8.00
Description
Key Signature: F minor
Time Signature: 6/8
Tempo: Allegro Commodo
Difficulty: Advanced
Josef Bohuslav Foerster (30 December 1859 – 29 May 1951) was a Czech composer and musicologist. He is often referred to as J. B. Foerster, and his surname is sometimes spelled Förster.
-Life-
Foerster was born in Prague. His ancestors were of Bohemian German ethnicity, but had assimilated into the Czech community. The family normally lived in Prague and was musical. His father, a composer also named Josef Foerster, taught at the Conservatory. (His father's students included Franz Lehár.) His brother was artist Viktor Foerster. Josef was educated accordingly, and duly studied there.
-Style-
Foerster produced numerous compositions. His music is not nationalistic in the sense of employing the idioms of Czech folk music. His work, words and music, is considered [by whom?] very subjective and personal, mystical and idealistic.
Foerster's opera Eva is another example, like Leoš Janáček's Jenůfa, of a libretto based on a play by Gabriela Preissová, though his treatment differs.
His compositions include five symphonies (No. 1 in D minor; No. 2 in F, Op. 29 (1892–98);[4] No. 3 in D, Op. 36;[4] No. 4 in C minor, Op. 54, "Easter Eve" (1905); and No. 5 in D minor, Op. 141 (1929) [4]), other orchestral works including a symphonic poem based on Cyrano de Bergerac, much chamber music (including five string quartets (No. 1 in E, Op. 15; No. 2, Op. 39;[5] No. 3 in C, Op. 61; No. 4 in F, Op. 182 (1943); and the last, written 1950–1, completed by Jan Hanuš[6][7]); three piano trios, two violin and two cello sonatas, and a several-times-recorded wind quintet), at least five operas (notably Eva), concertos for cello (Op. 143) and two for violin (No. 1 in C minor, Op. 88 (1911);[6] No. 2 in D minor, Op. 104), liturgical music, among other works, over 170 published opus numbers in all.
Many of his works remember family members: the 2nd Symphony is dedicated to his sister Marie; his brother's death led to the cantata Mortuis fratribus; his son is commemorated in the Piano Trio and the 5th Symphony; and his mother is a theme throughout his oeuvre.