Baby, It’s Both (Tick-Tack English Ver.)

ILLIT, Ava Max  

Hi, I am Rita. I transcribe piano sheets for popular music. All my sheet music are accurate but simple, beginner-level transcriptions with lyrics (singing is good for health) and harmonic chords.

I consider reasonable requests.

Sometimes I post free PDFs. Follow me!

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😔 At the request of the track's copyright holder, the price is $3

Hi, I am Rita. I transcribe piano sheets for popular music. All my sheet music are accurate but simple, beginner-level transcriptions with lyrics (singing is good for health) and harmonic chords.

I consider reasonable requests.

Sometimes I post free PDFs. Follow me!

“Baby, It’s Both (Tick-Tack English Ver.) Sheet Music”

A twelve-note scale and a metered sheet music isn't capable to express the sound of “Baby, It’s Both (Tick-Tack English Ver.)” with its layered vocal and digitally generated inflections.

The track is transcribed in the original key, B Minor, and uses basic major and minor chords Bm G A D, A and D have roots on C♯ and F♯ respectively.

The chord change is cyclical.

Notice the ellipsis (omitted chords) before every "Tick Tack"

“Baby, It’s Both (Tick-Tack English Ver.)” is composed with a straight rhythm in common time. Accent strong beats.

The left-hand maintains movement with different bass patterns.

The right hand imitates vocal delivery by ILLIT members and Ava Max: a predominant articulation is tenuto (staccato in the tick-tack hook).

Pitch inflections (slurred notes) are played quietly but notice that only Ava Max uses inflections, ILLIT sing straight.

"Oh" before "baby, it's both" is of an indefinite pitch, I used the tonic note B for it.

The aesthetic value of a track is based on stepwise motion that reminds of human speech and easy to memorize.