Angels Like You (lyrics) Miley Cyrus















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Artist | Miley Cyrus
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Genre | Pop
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Score | Piano Lyrics Chords
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👧🏻 Hi, I am Rita. I transcribe piano scores for popular music. My sheet music are accurate but playable transcriptions with lyrics and harmonic chords.
😔 Alas, at the request of the track's copyright holder, the minimum price is $3.
💰 How to pay $1.5? I want as much people as possible to play my sheet music. I can create a 50 % discount for a "bundle" of 2+ files. Contact me in the comments down below (↓). Also you can get ¢50 back for a review and $1 back for a video.
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You can omit playing green notes (the second voice).
I doubled note values to make sightreading easier for beginners. The track isn't recorded in the 2/2 time. "Angels Like You" is played with a straight rhythm in common time 4/4. But be sure not to play in a mechanical way. Strive for a loose and bouncing feel accenting strong beats. Take care to maintain a steady pulse and play along with the recording if you find that the memory eludes you. Practice "Angels Like You" slowly.
To keep listeners attention, the chorus was made to be the biggest part of a song. I colored it blue for your convenience: it is easier to learn a piece of music when you have a mental scheme of it. The first and second verses/choruses are different, play them differently, as expressively as possible. If some notes prove too difficult to play, simply omit them focusing on emotions instead of sightreading.
"Angels Like You" is a song with a homophonic arrengement — the instrumental part provides a harmony to support the vocal but lacks its own melody.
Vocal in the original track is sinuous and complex, marked by subtle bends and slides, with intense ornamentation. It is impossible to convey on piano with a fixed pitch of the keys. A predominant vocal style is legato, all slurred notes are vocal bends and to should be barely heard.
"Angels Like You" is transcribed in the original key, F Major, and uses a mix of major and minor chords.
The aesthetic value of a melodic line is achieved through the use of well-proportioned and balanced skips and steps. Steps make it nice and predictable and leaps prevent the song from being too boring. Notice the use of non-harmonic tones and chords interacting with stable chord tones (B Flat Minor).
The last bar with the tonic chord is added by me. Modern commercial music doesn't resolve on tonic to push a listener to repeat the track on a streaming service.
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