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Recommended ⭐⭐⭐⭐⭐
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Artists | David Guetta & Teddy Swims & Tones And I
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Similar | Lewis Capaldi, Dua Lipa, Alex Warren, Olivia Dean, RAYE, Kali Uchis, Hozier, Sam Smith, OneRepublic, Halsey, Clairo, Zara Larsson, Chris Stapleton, Myles Smith, Leon Bridges, Mark Ambor, Tiësto, Sia, Ofenbach
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Genre | EDM
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Score | Piano Lyrics Chords
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👧🏻 Hi, I am Rita. I transcribe piano scores with a minimal technical demand for popular music.
My sheet music are accurate but playable transcriptions with lyrics and harmonic chords centered on a melody.
😔 Alas, at the request of the track's copyright holder, the minimum price is $3.
💰 How to pay $1.5? I want as much people as possible to play my sheet music. I can create a 50 % discount for a "bundle" of 2+ files. Contact me in the comments down below (↓). Also you can get ¢50 back for a review and $1 back for a video.
🆓 Check my free PDFs.
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🎹 It is a score for solo piano. Original lyrics and harmony chords are included in the sheet music.
⚡A twelve-note scale and a metered sheet music isn't capable to express the sound of “Gone Gone Gone” with its layered vocal and digitally generated inflections. In the genre of EDM, the emphasis is on aspects of rhythm and sound design.
🗝️ The track is transcribed in the original key D Major.
The tension is created through the different alterations of the chord F#m including a non-harmonic F#7.
🔠 There is only one loop of eight bars used.
The cyclical chord change creates a backdrop against the intense melody.
🎤 I added the backing "Gone gone gone" on a separate ossia stave. You can play it instead of vocal runs.
🔢 “Gone Gone Gone” is composed with a straight rhythm in the common time. Accent strong beats.
🙅🏼 Avoid learning both hands together in the very beginning; you will fail immediately and abandon the score. Lern the left hand first, the pattern in very simple to memorize.
🤚🏼 If you can't play octave jumps, play simple chords. If you can't count syncopated rhythm, play straight eights instead.
🖐🏼 The right hand imitates vocal delivery by Teddy Swims & Tones And I: the predominant articulation is tenuto.
In slurred passages, descending inflections are played diminuendo >, but ascending vocal portamento are played crescendo <.
🎶 The melody accents the weak beats in the verses and in the build-up switches to a more convenient accents: on strong beats.
🌉 The song's compositional development repeats chorus several times with ad lib vocal runs.
🏷️ Much of the song’s aesthetic value is generated through vocal delivery and too familiar step-wise melody that reminds of 1000 other songs.
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