Hell’s Greatest Dad from Hazbin Hotel (Lyrics)-Sam Haft

At the request of the track's copyright holder, the price is $3

Hi, I am Rita. I transcribe piano sheets for popular music. All my sheet music are accurate but simple, beginner-level transcriptions with lyrics (singing is good for health) and harmonic chords.

I consider reasonable requests.

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Please, notice that the vocals are written using a treble clef with the numeral 8 below it 𝄠 (a suboctave clef). This indicates that the pitches sound one octave below the written score. Play the right hand one octave lower than written. I also *doubled note values* to make sightreading easier for beginners.

Remember that the notation system was not intended to represent the theatrical speech. My piano sheet music can only show you the score within the boundaries of the twelve-note scale and a metered rhythm; alas, the pitch and rhythm have little to do with the aesthetic value of the track. Listen to the song before practicing to fully imitate the beauty of the song: its *timbre, phrasing, inflections.* Play the song, not sheet music. Sing a phrase before playing it on your keyboard.

Imitate the vocal delivery by Lucifer and Alastor or it won't sound as the song. The vocal part is relatively rigid and precisely timed, but it produces not much of a melody for the right hand. The melodic line is built on speech-like delivery of an indefinite pitch. I notated it as I pleased.

A predominant vocal style is *staccato*.

Notice fermata (𝄐), it means a long pause that separates two song's parts.

"Hell’s Greatest Dad" is played with a straight rhythm in common time. It is easy to count for beginners; accent strong beats to maintain a steady pulse. Practice "Hell’s Greatest Dad" slowly along with the recording. Play every part differently, as expressively as possible. If some notes are too difficult to play, omit them focusing on emotions instead of sightreading.

"Hell’s Greatest Dad" changes keys and seems like an atonal piece. That the underlying harmony lacks motion and is fundamentally static: there is no sense of harmonic progression, only tones which are briefly displaced by others. Its only use is to mark time.

The aesthetic value is achieved through the use of dissonance that adds movement and tension.

00:06 Lucifer

00:38 Alastor

01:19 Climax