佩妮的日记 （灵笼：INCARNATION - OST）- 杨秉音 - 杨秉音

以下为中文简介和机器翻译： The following is Chinese introduction and machine translation: 

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简介：

本次带来的改编是《灵笼》中的一首ost《佩妮的日记》，个人认为是全剧最催泪的几个片段之一，心理描写也非常棒。由于本次改编是接单，所以前前后后改了很多地方，尤其是后半段，快要记不清第一版的样子了。

前半段（包括开头）多柱式和弦，不得不说有时候柱式和弦的和声真的很擅长表达这种细腻的情感变化，而在后半段我采用了很多的琶音来表达情感的逐层递进，在某一处我还试着写了一点肖邦风格的东西，以及圆舞曲风格的织体，其中的两段直上直下的音阶则完全是临时起意，不过好像效果还可以诶。另外，我尝试写了一些Animenz在My Dearest最后结尾处曾经写的几段双手琶音（不过A叔有一个拍子是5对4，我则都是很规整的16分音符）穿插在8度和弦旋律进行的空档里，我真的太喜欢这个织体了哈哈哈

感谢ChronoStein的改编分析，以及小喵蓁和真真 ﹏ lucky在改编方面的帮助！

———————————————————————————————————————Introduction: 

This time, the arrangement  is an ost "Penny's Diary" in the "INCARNATION". I think it is one of the most tear jerking scenes in the play, and the psychological description is also very good. Since this adaptation is to receive orders, many changes have been made, especially in the second half of the paragraph. I can hardly remember the appearance of the first version.

In the first half (including the beginning), there are many column chords. I have to say that sometimes the harmony of the column chords is really good at expressing this delicate emotional change. In the second half, I used a lot of arpeggios to express the emotional progression layer by layer. I also tried to write something of Chopin style and the texture of the waltz style in one place, and two straight up and down scales are completely temporary, But it seems that the effect is OK. In addition, I tried to write some paragraphs of two handed arpeggios written by Animenz at the end of My Dearest (although Animenz has a beat of 5 to 4, and I have very regular 16 minute notes) interspersed in the gap between the 8 degree chord melody. I really like this texture hahah.

Thanks to ChronoStein for his analysis of adaptation, as well as 小喵蓁  and 真真 ﹏ lucky  for their help in arrangements!