太赫克碼頭遺跡-Joe Hisaishi

這首背景音樂乍聽之下很普通，但其實一開始的前奏就暗藏玄機。仔細聽可以發現在前奏的長音之間都有快速的三連音上行音群，我覺得這是表示水中泡泡上升的意象，而我也有把它們都加入我的改編之中。接著進入主歌，看似簡單的主旋律以及伴奏，其實還暗藏了一條旋律線，以一種有點纏繞的方式來呈現，有點像是水中的渦流一般，而這個第三聲部我也有加入我的改編之中，可以發現我必須要用左右手來輪流彈這個聲部(0:19~0:35)。中間還有一段在第二拍跟第四拍有一個女高音的詠唱，這個也是讓我煩惱很多，最後我決定用右手空閒的時候並來彈這個部分，並用高音區的琶音來呈現(1:02~1:20)。尾奏的部分也讓我吃盡苦頭，表面上又是跟前奏一樣是長音所組成，但其實裡面還是有很多暗藏的聲部(1:40之後)。總之這首曲子雖然短短的只有兩分鐘，但在改編時花了我很多時間，練習的時候也不好彈，是首很有挑戰性的曲目。 另外，我在1:25的地方其實有一個很明顯的錯音，但我之所以用這個版本當作我最後分享給大家的原因是我在這個版本中處理強弱跟速度是最好的，比起我其他全部音符都彈對但我覺得表現力沒那麼足夠的版本。 希望大家會喜歡我這次的改編！ 

This BGM seems to be normal when you first listen to it, but soon you'll find it's not that easy. In the intro, you hear many long notes, but actually between the long notes, you also hear some fast rising triplet. I think the triplet is to show the image of the bubbles in the ocean rising to the surface. Then, in the verse, you hear the simple theme and accompaniment, but actually there is also a hidden melody line which appears in a twining way. I think this is to show the image of the flow in the ocean. I added this melody line into my arrangement by using both of my hands to play (0:19~0:35). In the middle part, you hear high vocal voice from a soprano in the second and fourth beats. I added this "voice" by using my right hand to play the arppegios in high pitch (1:02~1:20). It also took me lots of time to arrange the outro. There are many long notes in the outro (like the intro), but you actually hear some hidden notes. I tried my best to put them into my arrangement (after 1:40). Anyway, I think this BGM is difficult to arrange and practice (you can see my right hand jumping on the piano) even though it is only in two minutes, but I really enjoyed the process. Besides, I played an obvious wrong note at 1:25, but the reason I still chose to share this version with you is I dealt with the tempo and dynamics well compared to my other versions in which I played all the notes accurately but lack of expression. Hope you enjoy my arrangement!