Beauty and the Beast [Backing Track] (from 'Beauty and the Beast') (for Cello) Alan Menken
![Alan Menken - Beauty and the Beast [Backing Track] (from 'Beauty and the Beast') (for Cello) by Seolwoo Baek](https://img.musicfive.com/v7/mms/s/w/967x1395/44226b9d2ca7152ea75b88e1a79c61bf-1.webp)
![Alan Menken - Beauty and the Beast [Backing Track] (from 'Beauty and the Beast') (for Cello) by Seolwoo Baek - Page 2](https://img.musicfive.com/v7/mms/s/w/967x1395/4df5bca295a2274fb145c4561d8864c0-2.webp)



![Alan Menken - Beauty and the Beast [Backing Track] (from 'Beauty and the Beast') (for Cello) by Seolwoo Baek](https://img.musicfive.com/v7/mms/s/w/967x1395/44226b9d2ca7152ea75b88e1a79c61bf-1.webp)
![Alan Menken - Beauty and the Beast [Backing Track] (from 'Beauty and the Beast') (for Cello) by Seolwoo Baek - Page 2](https://img.musicfive.com/v7/mms/s/w/967x1395/4df5bca295a2274fb145c4561d8864c0-2.webp)



A graceful solo arrangement of Beauty and the Beast from Disney’s Beauty and the Beast, composed by Alan Menken. The arrangement preserves the original structure while allowing the solo instrument to perform the beloved vocal melody with lyrical expression and elegant phrasing. The accompaniment blends elements of the orchestral score with the characteristic electric piano textures of the original soundtrack, creating a warm and cinematic atmosphere. Certain passages have been simplified for practical performance while maintaining the romantic character and musical richness of the piece. Positions used: violin up to 3rd position, viola up to 1st position, cello in thumb position.
앨런 멘켄의 **「Beauty and the Beast」(미녀와 야수 OST)**를 원곡의 구성 그대로 살려 편곡한 솔로 악보입니다. 독주 악기가 보컬 멜로디를 연주하도록 구성되어 곡의 아름답고 우아한 선율을 풍부하게 표현할 수 있습니다. 피아노 반주부는 원곡의 오케스트라 파트와 E. Piano 파트를 적절히 반영하여 따뜻하고 영화적인 분위기를 만들어 줍니다. 실제 연주를 고려해 일부 구간은 간결하게 정리되었지만 원곡의 낭만적인 감성과 음악적 풍부함을 그대로 느낄 수 있는 편곡입니다. 포지션은 바이올린 3포지션, 비올라 1포지션, 첼로 엄지 포지션까지 사용됩니다.
アラン・メンケン作曲の 「Beauty and the Beast」(映画『美女と野獣』OST) を原曲の構成をそのまま生かして編曲したソロアレンジです。独奏楽器がボーカルメロディーを演奏する構成となっており、楽曲の美しく優雅な旋律を叙情的に表現できます。伴奏パートには原曲のオーケストラ要素とE.ピアノのテクスチャーがバランスよく取り入れられ、温かく映画的な音楽の雰囲気を作り出します。実際の演奏を考慮して一部のパッセージは簡潔に整理されていますが、原曲のロマンティックな魅力と音楽的豊かさを大切にしたアレンジです。ポジションは、ヴァイオリンは第3ポジションまで、ヴィオラは第1ポジションまで、チェロは親指ポジションまで使用します。