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Recommended ⭐⭐⭐⭐⭐

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Artist | Babymonster, Charlie Puth

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Genre | Pop

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Score | Piano Lyrics Chords

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👧🏻 Hi, I am Rita. I transcribe piano scores with a minimal technical demand for popular music.

My sheet music are accurate but playable transcriptions with lyrics and harmonic chords centered on a melody.

😔 Alas, at the request of the track's copyright holder, the minimum price is $3.

💰 How to pay $1.5? I want as much people as possible to play my sheet music. I can create a 50 % discount for a "bundle" of 2+ files. Contact me in the comments down below (↓). Also you can get ¢50 back for a review and $1 back for a video.

🆓 Check my free PDFs.

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“Like That” Sheet Music

Name: Babymonster, Charlie Puth - Like That (lyrics) by Rita B
Brand: mymusic5
SKU: 380469
Price: 3 USD
Availability: InStock
Author: Rita B

🎹 It is a score for solo piano with no significant technical difficulties. Original lyrics and harmony chords are included in the sheet music.

⚡A twelve-note scale and metered sheet music are not capable to express the sound of “Like That” with its layered vocal, computer-generated sounds, and inflections of electronic instruments, soft attack, electronic timbre, computer-generated phrasing, electronic inflections.

🗝️ The track is transcribed in the original key B Minor, and uses three extended minor chords Bm Em F♯m.

I doubled note values to make sightreading easier for beginners. The track isn't recorded in the 2/2 time. "Like That" is composed with a straight rhythm in common time. It is easy to count for beginners; accent strong beats.

The right hand imitates the vocal delivery by Babymonster girls: a predominant vocal style is staccato.

Rap chanting is built on repetition of one note so focus on precise rhythm. It might be tiring to play on the piano with forte touch, play pianissimo.

The left hand provides with musical texture. Notice arpeggiato (𝆃) in the left hand. "Like That" is homophonic: harmony supports the vocal line with chords. A chord change lacks motion and is fundamentally static: there is no sense of progression, only briefly displaced arpeggios. Its only use is to mark time.

Notice the ellipsis (omitted chords) in the measures 27—28.

The aesthetic value of a track is based on repetition.

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