When I Get There (lyrics) - P!NK
演奏影片
難度: 普通
5 頁數
關鍵資訊
- 樂器 1
- 鋼琴
- 頁數
- 5
- 難度
- 普通
- 種類
- 單行譜
- 配器
- 獨奏
- 歌詞
- 包含
- 和弦
- 包含
$3.01
內容
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Recommended ⭐⭐⭐⭐⭐
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Artist | P!NK
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Similar | Miley Cyrus, Lewis Capaldi, Ariana Grande, Kelly Clarkson, Shakira, The Pretty Reckless, Florence + The Machine, Hailey Williams, Christina Perri, Rihanna, Natalie Imbruglia, Katy Perry, Meghan Trainor
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Genre | Pop
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Score | Piano Lyrics Chords
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👧🏻 Hi, I am Rita. I transcribe piano scores for popular music. My sheet music are accurate but playable transcriptions with lyrics and harmonic chords centered on a melody.
😔 Alas, at the request of the track's copyright holder, the minimum price is $3.
💰 How to pay $1.5? I want as much people as possible to play my sheet music. I can create a 50 % discount for a "bundle" of 2+ files. Contact me in the comments down below (↓). Also you can get ¢50 back for a review and $1 back for a video.
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“When I Get There” Sheet Music
The song seems simple but it has several important moments you need to realize before wondering why you can't play it as it should sound:
"When I Get There" is played with a syncopated left-hand riff in 2/2 tempo (a time signature containing 2 half notes per bar. It is easy to count for beginners). In the left hand accent beats 2 and 4 when playing, not 1. Practice slowly.
Notice that accents in lyrics (forEver, wEAther etc) often fall on the upbeat (pickup) note. If you don't accent the right upbeat note, "When I Get There" won't sound as Pink sings it..
Vocal in the original track is sinuous and complex, marked by subtle bends and slides, with intense ornamentation. It is impossible to convey on piano with a fixed pitch of the keys. A predominant vocal style is legato, all slurred notes are vocal bends and to should be barely heard.
"When I Get There" is composed in C Sharp Major (a key with seven sharps) but transcribed in the enharmonic key of D Flat Major (a key with 5 flats).
The progression is built from a handful of inverted and suspended chords repeated throughout the track. Composers used suspended chords because dissonance they created satisfyingly resolves by the eventual appearance of the displaced note. Nevertheless, I didn't spell them out as suspended-chord symbols because it's useless for beginners.
The aesthetic value of a melodic line is achieved through the use of well-proportioned and balanced skips and steps.
The last bar with the tonic chord is added by me. Modern commercial music doesn't resolve on tonic to push a listener to repeat the track on a streaming service.
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