Doesn't Matter (lyrics) - Annabelle Dinda
Audio File Provided
Performance Video
Difficulty: Normal
5 Pages
Key Information
- Instrument 2
- PianoVocal
- Pages
- 5
- Difficulty
- Normal
- Type
- 3 Staves
- Instrumentation
- Ensemble
- Lyrics
- Included
- Chord
- Included
$3.02
Description
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Recommended ⭐⭐⭐⭐⭐
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Artist | Annabelle Dinda
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Similar | Bella Kay, Ethel Cain, Gigi Perez, Lizzy McAlpine, Sydney Rose, Sienna Spiro, Dominic Fike, Alex Warren, Phoebe Bridgers, Conan Gray, Gracie Abrams, Sombr, boygenius, Noah Kahan, Madison Beer, Billie Eilish, Sabrina Carpenter, Tate McRae, Ruth B, Jessie Murph, Frank Ocean, Olivia Dean, Megan Moroney, Lorde, Nessa Barrett, Role Model
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Genre | Pop
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Score | Piano Lyrics Chords
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👧🏻 Hi, I am Rita. I transcribe piano scores with a minimal technical demand for popular music.
My sheet music are accurate but playable transcriptions with lyrics and harmonic chords centered on a melody.
😔 Alas, at the request of the track's copyright holder, the minimum price is $3.
💰 How to pay $1.5? I want as much people as possible to play my sheet music. I can create a 50 % discount for a "bundle" of 2+ files. Contact me in the comments down below (↓). Also you can get ¢50 back for a review and $1 back for a video.
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“Doesn't Matter” Sheet Music
🎹 It is a score for solo piano with no significant technical difficulties. Original lyrics and harmony chords are included in the sheet music.
🗝️ The track is transcribed in the original key F Major.
There are two different harmonic loops of four bars each: ♯ ♭
- Dm C B♭ F Gm
- B♭ F B♭ C
Most of the chords have alterations to hide simplicity of chords' functions.
🔢 “Doesn't Matter” is composed with a straight rhythm in the common time.
Notice that in the vocal line the accent often goes on the upbeat.
🤚🏼 The accompaniment imitates what guitar plays in the record.
🖐🏼 The vocal delivery by Annabelle Dinda is forte and tenuto. There is a lot of inflections in her singing.
In slurred passages, descending inflections are played diminuendo >, but ascending vocal portamento are played crescendo <.
🌉 The song has no compositional development. The long outro is on a separate page. I don't think it's interesting.
🏷️ Much of the song’s aesthetic value is generated through the hook starting on upbeat.
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