Where Do We Go Now? (Lyrics, chords)-Gracie Abrams

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Hi, I am Rita. I transcribe piano scores for popular music. All my sheet music are accurate but simple, beginner-level transcriptions with lyrics and harmonic chords.

Sometimes I post free PDFs.

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The track has a lot of formal and harmonic sophistication:

"Where do we go now?" is arranged in the 4/4 meter with 4 beats per measure but the vocal line is written in the 2/2 meter, a time signature containing 2 beats per measure.

Accent the strong beats. Take care to maintain a steady pulse and play along with the recording if you find that the memory eludes you. Practice "Where do we go now?" slowly.

Verses consist of two eight-measure phrases that are separated by a four-bar long break with a droning B-flat note over the E-flat chord.

The songs has no chorus. A refrain (Where do we go now?) connects other parts of the song. After the two verses, a little bridge leads the composition to a climax that is resolved in the yet another repetition of the refrain.

"Where do we go now?" is a song with a homophonic arrengement — the instrumental part provides a harmony to support the vocal but lacks its own melody. Piano is an instrument that can play a melody and an accompaniment simultaneously.

"Where do we go now?" is transcribed in the original key, B Flat Major, and uses a mix of major and minor chords. Interestingly, that the melody is built on the Bb note as the tonic, but the arrengement and chord progression uses the B-flat sparingly substituting it with the drone Bb note.

A chord change marks time and musical structure rather than creates a meaningful harmonic pull. Also notice that such a sad song is written in a major key that; usually major keys are regarded as happy ones.

One thing to look out for throughout is the use of dynamics. Play as expressively as possible. If some notes prove too difficult to play, simply omit them focusing on emotions instead of sightreading.

Vocal in the original track is sinuous and complex, marked by subtle bends and slides, with intense ornamentation. It is impossible to convey on piano with a fixed pitch of the keys. A predominant vocal style is legato, all slurred notes are vocal bends.

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