ARIA (mp3 & midi included!)-Eugène Bozza
알토 색소폰, 피아노 보통
$12.00
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연주영상
난이도: 보통
10 페이지
주요 정보
- 악기 2
- 알토 색소폰피아노
- 페이지
- 10
- 난이도
- 보통
- 악보 종류
- 3단
- 편성
- 앙상블
- 가사 유무
- 미포함
- 코드 유무
- 미포함
- 악기
- 알토 색소폰, 피아노
- 페이지
- 10
- 난이도
- 보통
- 악보 종류
- 3단
- 편성
- 앙상블
- 가사 유무
- 미포함
- 코드 유무
- 미포함
내용
Key Signature: G minor
Time Signature: 3/8
Tempo: Andante ma non troppo
Difficulty: Advanced
Parts: mixed part, sax only part and piano only part.
Eugène Joseph Bozza (4 April 1905 – 28 September 1991) was a French composer and violinist. He was one of the most prolific composers of chamber music for wind instruments. Bozza's large ensemble works include five symphonies, operas, ballets, large choral work, wind band music, concertos, and many works for large brass or woodwind ensembles. Outside of France, he is best known for his chamber music, rather than his larger works.
During his studies music in the inter-war period, the musical styles in Paris were moving away from Romanticism and Impressionism and towards the ideas of wit and eclecticism as laid out in Jean Cocteau's 1918 manifesto Le Coq et l’Arlequin. Cocteau said, "We have had enough clouds, waves, aquaria, watersprites, and nocturnal perfumes". These ideals of music being sharp, cutting, and always new are present in nearly all of Bozza's music. Additionally, Bozza's works are widely known to be very sensitive to the techniques of the instrument(s) for which they are written. "Shepherds of Provence I. Pastorale Provencale" on YouTube His style shows many traditions of the French Impressionist school mixed with the fundamental mastery of harmony of Bach. His compositions can be placed within the Neo-Classicist genre which is also populated by Darius Milhaud and Igor Stravinsky.
Another major influence on his compositional style was the result of the cultural infusion, which occurred during and following World War I. Over two million American soldiers were sent to Europe which included roughly 10% African American soldiers.The influx of American and African American soldiers brought new styles and attitudes about music which were assimilated in French culture. This style of music quickly became part of French popular music and Bozza was introduced to it at an early age. Elements of jazz style and harmony are present in many of his works.
$12.00
내용
Key Signature: G minor
Time Signature: 3/8
Tempo: Andante ma non troppo
Difficulty: Advanced
Parts: mixed part, sax only part and piano only part.
Eugène Joseph Bozza (4 April 1905 – 28 September 1991) was a French composer and violinist. He was one of the most prolific composers of chamber music for wind instruments. Bozza's large ensemble works include five symphonies, operas, ballets, large choral work, wind band music, concertos, and many works for large brass or woodwind ensembles. Outside of France, he is best known for his chamber music, rather than his larger works.
During his studies music in the inter-war period, the musical styles in Paris were moving away from Romanticism and Impressionism and towards the ideas of wit and eclecticism as laid out in Jean Cocteau's 1918 manifesto Le Coq et l’Arlequin. Cocteau said, "We have had enough clouds, waves, aquaria, watersprites, and nocturnal perfumes". These ideals of music being sharp, cutting, and always new are present in nearly all of Bozza's music. Additionally, Bozza's works are widely known to be very sensitive to the techniques of the instrument(s) for which they are written. "Shepherds of Provence I. Pastorale Provencale" on YouTube His style shows many traditions of the French Impressionist school mixed with the fundamental mastery of harmony of Bach. His compositions can be placed within the Neo-Classicist genre which is also populated by Darius Milhaud and Igor Stravinsky.
Another major influence on his compositional style was the result of the cultural infusion, which occurred during and following World War I. Over two million American soldiers were sent to Europe which included roughly 10% African American soldiers.The influx of American and African American soldiers brought new styles and attitudes about music which were assimilated in French culture. This style of music quickly became part of French popular music and Bozza was introduced to it at an early age. Elements of jazz style and harmony are present in many of his works.