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Artist | Zach Bryan, The War and Treaty

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Genre | Country

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Score | Piano Lyrics Chords

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“Hey, Driver” Sheet Music

A transcription for easy piano notated as it was performed. Re-arrange the left hand by breaking harmony chords in arpeggios or other bass patterns it the score is too easy for you. You can omit playing green notes (the second voice).

Please, notice that the upper stave is written using a treble clef with the numeral 8 below it (a so-called suboctave clef). This indicates that the pitches sound an octave lower. Play the right hand one octave lower than written. I do it to avoid using ledger lines that slower sightreading.

"Hey, Driver" is played with a straight rhythm in common times: 4/4 in the verses and 2/4 in the choruses. 2/4 is perfect for conveying the sense of riding a car. The chorus has 7-bar phrases (3+4), common in modern folk music.

It is easy to count for beginners but be sure not to play in a mechanical way. Accent strong beats with a steady pulse and play along with the recording. Practice "Hey, Driver" slowly.

To keep listeners attention, the chorus was made to be the biggest part of a song and grows as we advance in the song. I colored it blue for your convenience: it is easier to learn a piece of music when you have a mental scheme of it. Play every part differently, as expressively as possible. If some notes are too difficult to play, omit them focusing on emotions instead of sightreading.

"Hey, Driver" is a song with a homophonic arrengement: the instrumental part provides a harmony to support the vocal but lacks its own melody. Except for guitar solo part, the guitar simply strums the strings.

Vocal in the original track is marked by excessive bends and slides, with intense ornamentation. It is impossible to convey on piano with a fixed pitch of the keys. You can add as many tremolos and accolades s you want. Mix staccato and *legato*, all slurred notes are vocal bends and to should be barely heard.

"Hey, Driver" is transcribed in the original key, A Minor, and uses a mix of basic major and minor chords. A chord change marks time and musical structure rather than creates a meaningful harmonic pull. The aesthetic value of a melodic line is achieved through the use of mostly stepwise motion. Steps make it nice and predictable; rare leaps prevent the song from being too boring.

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