








3.14 (Paramuditaya)-Katarina Ningrum
오케스트라, 바이올린, 비올라, 첼로, 더블베이스, 클라리넷, 베이스 클라리넷, 오보에/잉글리시 호른, 플루트, 피콜로, 트롬본, Bb조 트럼펫, C조 트럼펫, 호른, 튜바
오디오 파일 제공
난이도: 매우 어려움
21 페이지
주요 정보
- 악기 15
- 오케스트라바이올린비올라첼로더블베이스클라리넷베이스 클라리넷오보에/잉글리시 호른플루트피콜로트롬본Bb조 트럼펫C조 트럼펫호른튜바
- 페이지
- 21
- 난이도
- 매우 어려움
- 악보 종류
- 4단
- 편성
- 오케스트라
- 가사 유무
- 미포함
- 코드 유무
- 미포함
- 악기
- 오케스트라, 바이올린, 비올라, 첼로, 더블베이스, 클라리넷, 베이스 클라리넷, 오보에/잉글리시 호른, 플루트, 피콜로, 트롬본, Bb조 트럼펫, C조 트럼펫, 호른, 튜바
- 페이지
- 21
- 난이도
- 매우 어려움
- 악보 종류
- 4단
- 편성
- 오케스트라
- 가사 유무
- 미포함
- 코드 유무
- 미포함
Basically, this phi 3,14 number talks about the circle.
Paramuditaya is the word derived from the ancient Kawi language means 'circling around'.
This piece describes the looping of life. How most religions & beliefs speak about the things we do that go back and forth from us to other people and coming back to us like karma, tabur-tuai, azab & pahala, even afterlife and anything else. It seems like 'circle' is the whole universe's theme, because even the planet we live in is rounded, the whole system in is sustainable. Nothing is ever really ended, it's going and going. But to keep looping, we need to hold each other as one. Every particle of this little thing we call life, is truly significant to keep the loop moving.
Performance Guide :
- Long notes with ties are expected to be played as if they're seawaves--soft, sparkling, then hold back.
- There will be a lot of canons of melodies, thus each player need to be aware of each other's timing so they can balance & support each other, no melody's harmed, but the harmony & other rhytmic element aren't compromised either.
- Be patient, the tempo is slow and contemplative. I hope the whole orchestra can take a harmonious breaths together while playing this piece (and other pieces!).
Originally composed by Ningski (Katarina Ningrum) and engraved by Filipus Wisnumurti.
For full score & parts, you can email me.
Basically, this phi 3,14 number talks about the circle.
Paramuditaya is the word derived from the ancient Kawi language means 'circling around'.
This piece describes the looping of life. How most religions & beliefs speak about the things we do that go back and forth from us to other people and coming back to us like karma, tabur-tuai, azab & pahala, even afterlife and anything else. It seems like 'circle' is the whole universe's theme, because even the planet we live in is rounded, the whole system in is sustainable. Nothing is ever really ended, it's going and going. But to keep looping, we need to hold each other as one. Every particle of this little thing we call life, is truly significant to keep the loop moving.
Performance Guide :
- Long notes with ties are expected to be played as if they're seawaves--soft, sparkling, then hold back.
- There will be a lot of canons of melodies, thus each player need to be aware of each other's timing so they can balance & support each other, no melody's harmed, but the harmony & other rhytmic element aren't compromised either.
- Be patient, the tempo is slow and contemplative. I hope the whole orchestra can take a harmonious breaths together while playing this piece (and other pieces!).
Originally composed by Ningski (Katarina Ningrum) and engraved by Filipus Wisnumurti.
For full score & parts, you can email me.