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Quality ⭐⭐⭐⭐⭐

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Artist | Stray Kids, Felix, Han, HyunJin, Lee Know, Bang Chan

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Similar | Katseye, BTS, Jin, Jimin, Jungkook, J-Hope, RM, V, Suga, Blackpink, Jennie, Rosé, Jisoo, Lisa, TWICE, Tzuyu, Nayeon, aespa, i-dle, Yuqi, Le sserafim, IVE, ILLIT, R U next, Izna, I-LAND2, Allday Project, Youngseo, Enhypen, NewJeans, ITZY, TWS, NCT, TXT, Seventeen, Woozi, Taeyeon, Baekhyun, G-Dragon, BigBang, TAEYANG, IU, Red Velvet, AKMU, Ateez, Fifty Fifty, fromis_9, Hearts2Hearts, Babymonster, MEOVV, Nmixx, Kiss Of Life, BoyNextDoor, ZICO, Squid Games, Day6, 10cm, The Rose, wave to earth, Lee YoungJi, Jaehyun, Crush, Yechan Jeon, Lee Changsub, Ha Sung-woon, Kang Seung-yoon, Eclipse, C!naH, Rubyeye, Jaeyeon, YounHa, PSY, Junny, Janine Berdin

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Genre | Pop K-Pop

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Score | Piano Lyrics Chords

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Hi, I am Rita. I transcribe piano scores for pop music with minimal technical demand as close to the original as possible. Sheet music for songs have lyrics and harmonic chords on.

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🎹 A score for solo piano with no significant technical difficulties. Original lyrics and harmony chords are included in the sheet music.

💽 I added an mp3 file as well.

The track is transcribed in the original key, A Minor, and uses basic major and minor chords.

Its cyclical chord change (loop) highlights melodic development.

The non-harmonic chord E creates harmonic ambiguity.

Notice the ellipsis (omitted chords) in the measure 63.

The vocals in the first verse by Hyunjin are typed using the 𝄠 suboctave clef (the treble clef with the numeral 8 below it). Play the right hand one octave lower than written.

“Escape” is composed with a syncopated elements in common time. Accent strong beats.

The left-hand maintains movement. You can play the left hand a little bit louder than you usually play.

The right hand imitates vocal delivery by Hyunjin and Bang Chan: a predominant articulation is tenuto pianissimo.

The melody is build to surprise with sudden changes of direction, expressive pauses, a recitative style.

The false ending of the bridge releases tension so the repeated chorus doesn't sound dull after the louder and intense part.

Omit playing the ossia stave, it's for singing.

Much of the song’s aesthetic value is generated through abundance of melodic material.

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