Packing It Up (lyrics chords)-Gracie Abrams

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Quality ⭐⭐⭐⭐⭐

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Artist | Gracie Abrams

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Similar | Lizzy McAlpine, Sydney Rose, Clairo, Ethel Cain, Annabelle Dinda, Samantha Ebert, Gigi Perez, AURORA, Tom Odell, Lauren Spencer-Smith, Paris Paloma, Keshi, Audrey Hobert, Billie Marten, Liana Flores, Madison Beer, Dove Cameron, Troye Sivan, Melanie Martinez, Damiano David, Bella Kay, mgk, Jon Bellion, Rachel Zegler, Alec Benjamin, Elley Duhé, David Kushner, Dean Lewis, Duke Dumont, Maggie Rogers, Nessa Barrett, Michael Marcagi, Mark Ambor

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Genre | Pop

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Score | Piano Lyrics Chords

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Hi, I am Rita. I transcribe piano scores for pop music with minimal technical demand as close to the original as possible. Sheet music for songs have lyrics and harmonic chords on.

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🎹 A score for solo piano with no significant technical difficulties. Original lyrics and harmony chords are included in the sheet music.

💽 I added an mp3 file as well.

The track is transcribed in the original key, D Major, and mainly uses the tonic chord with different bass notes creating a walking-bass pattern under repeated guitar strumming. The chorus uses the only non-tonic chord, the subdominant G with submediant B as a bass note.

The vocals are typed using a 𝄠 suboctave clef (the treble clef with the numeral 8 below it). Nevertheless, play at written pitch because Abrams' singing clashes with guitar strumming in many places. Sing one octave lower.

“Packing It Up” is composed with a syncopated rhythm in quadruple time 12/8. It's very hard to count and memorize.

Learn the left hand first and avoid learning both hands together in the very beginning. Patience is a virtue. Otherwise you will fail immediately and abandon the score.

The left-hand texture is thick and makes great use of ostinato that is 100 % repeats the original guitar strumming in the track. The easy version has the simplified left-hand part but is boring to play.

The right hand imitates vocal delivery by Gracie Abrams: a predominant articulation is staccato.

There are many places of an indefinite pitch in the beginning of sentences.

The aesthetic value of a track suffers due to lack of originality.

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