Jupiter, the Bringer of Jollity (Koto/箏)-Gustav Holst
伝統楽器 中級
$5.00
演奏動画
難易度: 中級
2 ページ数
主要情報
- 楽器 1
- 伝統楽器
- ページ数
- 2
- 難易度
- 中級
- 楽譜の種類
- １段楽譜
- 編成
- ソロ
- 歌詞有無
- 無し
- コード有無
- 無し
- 楽器
- 伝統楽器
- ページ数
- 2
- 難易度
- 中級
- 楽譜の種類
- １段楽譜
- 編成
- ソロ
- 歌詞有無
- 無し
- コード有無
- 無し
内容
”Jupiter, the Bringer of Jollity" is a part of the suite called "The Planets," composed by the British composer Gustav Holst. This suite was composed between 1914 and 1916, with each movement dedicated to a planet in our solar system.
"Jupiter, the Bringer of Jollity" is the fourth movement and, as the name suggests, is themed around Jupiter. This movement is grand and cheerful, expressing feelings of blessing and joy. It begins with a splendid melody and a trumpet fanfare, followed by powerful and heroic melodies.
This movement is generally associated with themes of hope and optimism, carrying a lively and bright atmosphere. Holst's "The Planets" is a highly popular piece in the classical music repertoire from the early 20th century, and "Jupiter, the Bringer of Jollity" is particularly beloved within it.
I have attempted to transcribe this orchestral piece into a koto score. Within the approximately two-minute score, there are 12 instances of tremolo. Please, give it a try.
$5.00
内容
”Jupiter, the Bringer of Jollity" is a part of the suite called "The Planets," composed by the British composer Gustav Holst. This suite was composed between 1914 and 1916, with each movement dedicated to a planet in our solar system.
"Jupiter, the Bringer of Jollity" is the fourth movement and, as the name suggests, is themed around Jupiter. This movement is grand and cheerful, expressing feelings of blessing and joy. It begins with a splendid melody and a trumpet fanfare, followed by powerful and heroic melodies.
This movement is generally associated with themes of hope and optimism, carrying a lively and bright atmosphere. Holst's "The Planets" is a highly popular piece in the classical music repertoire from the early 20th century, and "Jupiter, the Bringer of Jollity" is particularly beloved within it.
I have attempted to transcribe this orchestral piece into a koto score. Within the approximately two-minute score, there are 12 instances of tremolo. Please, give it a try.