Mozart - Requiem-Wolfgang Amadeus Mozart
ホルン, B♭管トランペット, C管トランペット, トロンボーン, ユーフォニアム, チューバ , ドラム 上級
$25.00
演奏動画
難易度: 上級
124 ページ数
主要情報
- 楽器 7
- ホルンB♭管トランペットC管トランペットトロンボーンユーフォニアムチューバ ドラム
- ページ数
- 124
- 難易度
- 上級
- 楽譜の種類
- 該当なし
- 編成
- アンサンブル
- 歌詞有無
- 無し
- コード有無
- 無し
- 楽器
- ホルン, B♭管トランペット, C管トランペット, トロンボーン, ユーフォニアム, チューバ , ドラム
- ページ数
- 124
- 難易度
- 上級
- 編成
- アンサンブル
- 歌詞有無
- 無し
- コード有無
- 無し
内容
This arrangement of Wolfgang Amadeus Mozart’s Requiem in D minor, K. 626, was crafted for brass ensemble and timpani, preserving the formal structure, contrapuntal texture, and harmonic proportions of the original work. The instrumentation consists of 2 trumpets, 1 horn, 2 trombones (or 1 trombone and 1 euphonium), tuba, and timpani, forming a chamber setting that retains the sonic depth and solemn character of the Requiem.
The vocal and instrumental lines were condensed and reorchestrated with emphasis on voice leading and harmonic clarity. The balance between brilliance and sonorous depth was carefully shaped to highlight the dynamic nuances and dramatic intensity inherent in Mozart’s writing.
The result is a version faithful in spirit and structure, adapted to the timbral richness of the brass ensemble—ideal for performance in reduced symphonic settings, brass groups, or liturgical contexts.
$25.00
内容
This arrangement of Wolfgang Amadeus Mozart’s Requiem in D minor, K. 626, was crafted for brass ensemble and timpani, preserving the formal structure, contrapuntal texture, and harmonic proportions of the original work. The instrumentation consists of 2 trumpets, 1 horn, 2 trombones (or 1 trombone and 1 euphonium), tuba, and timpani, forming a chamber setting that retains the sonic depth and solemn character of the Requiem.
The vocal and instrumental lines were condensed and reorchestrated with emphasis on voice leading and harmonic clarity. The balance between brilliance and sonorous depth was carefully shaped to highlight the dynamic nuances and dramatic intensity inherent in Mozart’s writing.
The result is a version faithful in spirit and structure, adapted to the timbral richness of the brass ensemble—ideal for performance in reduced symphonic settings, brass groups, or liturgical contexts.