The time of prayer (내 기도하는 그 시간)-W.W.Walford & W.B.Bradbury
Piano $3.00
Performance Video
5 Pages
Key Information
- Instrument 1
- Piano
- Pages
- 5
- Difficulty
- Empty
- Type
- Unspecified
- Instrumentation
- Empty
- Lyrics
- Empty
- Chord
- Empty
- Instrument
- Piano
- Pages
- 5
- Type
- Unspecified
Description
enharmonic
Do you remember hearing it in music class back in the days?
When I was in elementary, middle and high school, I was just playing with words for exam question.
Cb=B seems to know everything about the keyboard position. When I got into college, the professor of harmonic studies didn't allow me to sing the same tune. If you write Cb in B, you're wrong.
Now that I've started playing Heaven piano, I've been making a ton of score and realized that academic approach was easier. B used to be easy, but I couldn't understand the composers writing in Cb. As it really has something to do with me, I have a lot of worries.
Even though I'm a person who allows enharmonic, there are many places where I marked Cb in this song. The reason why I wrote B as Cb is that actually, if you write 'Do b' in 'Ti', it'll all be comfortable. So instead of 'Cb', you want to express it as 'B'. Then, if you put it in B, it's easy to see.
Write your left hand in "Ti, Fa#, Ra#, Ti"... "Fa#, Ra#" is a bit weird, but it's still possible. By the way, will the right-hand melody also write "Mi b, Fa" as "Re#, Fa" in line with "B"?
You're very worried, aren't you?
Too many different notes are changing to solve one problem. If you write 'Ti' as 'Do b' and keep Cb, it's rather very simple.
Do you understand?
If you make the sheet music yourself, you'll see why it's written like this.
However, I think it's okay to allow enharmonic. As I was thinking about which one would be more comfortable to play, this time there are more Cb. It's not that difficult if you play 'Do b' as if it's Ti.
I heard there's going to be a big typhoon. Be good against the typhoon and be good at Cb, so we become accompanists to enjoy our paradise.
$3.00
Description
enharmonic
Do you remember hearing it in music class back in the days?
When I was in elementary, middle and high school, I was just playing with words for exam question.
Cb=B seems to know everything about the keyboard position. When I got into college, the professor of harmonic studies didn't allow me to sing the same tune. If you write Cb in B, you're wrong.
Now that I've started playing Heaven piano, I've been making a ton of score and realized that academic approach was easier. B used to be easy, but I couldn't understand the composers writing in Cb. As it really has something to do with me, I have a lot of worries.
Even though I'm a person who allows enharmonic, there are many places where I marked Cb in this song. The reason why I wrote B as Cb is that actually, if you write 'Do b' in 'Ti', it'll all be comfortable. So instead of 'Cb', you want to express it as 'B'. Then, if you put it in B, it's easy to see.
Write your left hand in "Ti, Fa#, Ra#, Ti"... "Fa#, Ra#" is a bit weird, but it's still possible. By the way, will the right-hand melody also write "Mi b, Fa" as "Re#, Fa" in line with "B"?
You're very worried, aren't you?
Too many different notes are changing to solve one problem. If you write 'Ti' as 'Do b' and keep Cb, it's rather very simple.
Do you understand?
If you make the sheet music yourself, you'll see why it's written like this.
However, I think it's okay to allow enharmonic. As I was thinking about which one would be more comfortable to play, this time there are more Cb. It's not that difficult if you play 'Do b' as if it's Ti.
I heard there's going to be a big typhoon. Be good against the typhoon and be good at Cb, so we become accompanists to enjoy our paradise.