A really moody little record from Ennio Morricone – spare, subtle, and extremely beautiful – touched with notes of sadness and remorse, but also handled with a strong spirit of redemption, “La Califfa" (1970) is a rare example, probably very rare, in which the director and author of the book on which the film is inspired coincide; we're talking about Antonio Bevilacqua, who won the Nastro D'Argento prize as Best New Director with this film.
The film deals with the issue of the class struggle, and in particular the love-hate relationship between a businessman (Ugo Tognazzi) and a female worker (Romy Schneider, almost too sensual here) who lost her fiancé at the working place. A romantic and dramatic work, as the music written and orchestrated by Ennio Morricone, here often surrounded by an impressive aura of sacredness.
