Only by the love of the Lord (오직 주의 사랑에 매여)-HyeonWon Ko
Klavier $3.00
Performance-Video
7 Seiten
Wichtige Infos
- Instrument 1
- Klavier
- Seiten
- 7
- Schwierigkeit
- Leer
- Typ
- Nicht spez.
- Instrumentierung
- Leer
- Liedtext
- Leer
- Akkord
- Leer
- Instrument
- Klavier
- Seiten
- 7
- Typ
- Nicht spez.
Beschreibung
When I play the F#m7 chord, there are probably people who ask why? More specifically, Why Ti?
22th, 40th, and 46th bars are F#m7 but I play a Ti of 4 note. To tell you why, the minor 7th chord fits very well with the 11th note of tension sound. The root of F#m7 (=base negative, root) is F#, or 'Fa#. Starting with the first note, the 11th note of tension is Ti. So, I added the tension 11 'Ti' to the F#m7.
Do you understand?
To give you a little spoiler about [Practical 5th Album], I also give a little explanation of the tension note. I'm just trying to give you a hint. However, the amount of sheet music became too much as I worked with it. I decided to reduce the volume of music again, but since the explanation in the fifth album deals with a bit of a difficult topic, I decided to give only the key explanations that can be applied.
Aren't you curious what it's about?
Lastly, I'll explain the ad-libs one more time, and the ad-lib series will be completed.
"Jazz-like ad-libs."
I briefly explained approach notes, tension notes, blues, and Unison, but they are applicable. Maybe at the end of August? You'll be able to see I before August is over. I'm sure I'll notify you before then. I still have a lot of work to finish. Please pray with me and wait with anticipation.~ :)
To explain the song a little bit more, remember to separate the F#m7 and the F#7. If you play F#7 on F#m7, when you get an A# on the bass note, there's a huge dissonance. And in [Practical 4th Album], I wanted to show you how to play with the melody.
This song also plays melody-oriented music from the second verse.
Besides this, when I play the last chorus, 53 bar of 'G-Gaug-G6' chord progression is really good. We often use chord progression starting with Evmaj7 where we need to see Dmaj7 at the end of 60 bar. I love to play every 61 bar of chord, and I love to play a few notes.
You're all just as good as I am, right?
We've played all the songs from our 4th album.
What song should I bring next?
Please look forward to it, and be a accompanist who enjoys heaven today~
$3.00
Beschreibung
When I play the F#m7 chord, there are probably people who ask why? More specifically, Why Ti?
22th, 40th, and 46th bars are F#m7 but I play a Ti of 4 note. To tell you why, the minor 7th chord fits very well with the 11th note of tension sound. The root of F#m7 (=base negative, root) is F#, or 'Fa#. Starting with the first note, the 11th note of tension is Ti. So, I added the tension 11 'Ti' to the F#m7.
Do you understand?
To give you a little spoiler about [Practical 5th Album], I also give a little explanation of the tension note. I'm just trying to give you a hint. However, the amount of sheet music became too much as I worked with it. I decided to reduce the volume of music again, but since the explanation in the fifth album deals with a bit of a difficult topic, I decided to give only the key explanations that can be applied.
Aren't you curious what it's about?
Lastly, I'll explain the ad-libs one more time, and the ad-lib series will be completed.
"Jazz-like ad-libs."
I briefly explained approach notes, tension notes, blues, and Unison, but they are applicable. Maybe at the end of August? You'll be able to see I before August is over. I'm sure I'll notify you before then. I still have a lot of work to finish. Please pray with me and wait with anticipation.~ :)
To explain the song a little bit more, remember to separate the F#m7 and the F#7. If you play F#7 on F#m7, when you get an A# on the bass note, there's a huge dissonance. And in [Practical 4th Album], I wanted to show you how to play with the melody.
This song also plays melody-oriented music from the second verse.
Besides this, when I play the last chorus, 53 bar of 'G-Gaug-G6' chord progression is really good. We often use chord progression starting with Evmaj7 where we need to see Dmaj7 at the end of 60 bar. I love to play every 61 bar of chord, and I love to play a few notes.
You're all just as good as I am, right?
We've played all the songs from our 4th album.
What song should I bring next?
Please look forward to it, and be a accompanist who enjoys heaven today~